Harmony but difference “is an important category of Confucius’ philosophy and social thought, and has become a new design and management concept that guides the current trend of creative packaging box development!
Harmony but Difference “is the development of the creative packaging box design concept in instructional design. It not only pursues unique charm and the significance of traditional Chinese culture for the national spirit of corporate culture, but also keeps up with the times and combines traditional and modern achievements in education.
If a Chinese enterprise wants to become an important symbol of ours and has an advantage in product packaging, then this eternal advantage is the advantage of traditional cultural resources.
Using traditional culture to create a new cultural concept of popular culture, packaging design Each culture has its own characteristics, personality, and infrastructure.
However, with the development of the economy and the globalization of knowledge, what we are concerned about is “integration”.
However, in terms of the essence of the main design of creative packaging boxes, nationalization, localization, and stylization should not be the prerequisite.
The so-called creative packaging box design is just a practical creative concept, it is not a purpose, but a means to creatively solve common needs and aesthetic ultimate goals.
To search for creative dialogues with visual language and design a world that transcends regions and races, reflecting common values, emotions, and aesthetics, only the collision and compatibility of cultural diversity can make our designs more diverse and colorful.
The creative packaging box design culture of each era has its own content, concept system, historical development status, and brand of this era. The concept of “harmony but difference” also reflects integration, and yesterday, today, and tomorrow are connected.
Shanghua Packaging believes that “harmony but difference” in packaging is a new era of economic development of Chinese culture and technology, which will be evaluated together with global cultural identity.
Both ethnic and traditional designers need to learn and should not be understood, whether it is “old tradition” or “new tradition”, they should combine their traditions with modernity.
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